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#21742 - 01/31/12 10:20 AM Re: What about the senses of our characters? [Re: Anonymous]
Cyrano Offline
Pooh-Bah


Registered: 12/17/01
Posts: 1733
Loc: San Francisco / Isle of Mull.
Cy turned from his desk to stare at Jenny, his eyes wide open.

“Did you hear that, honey?”

Jenny looked up from reading her book. “Hear what, dear?”

“The news on the radio.”

“I was concentrating on my book, what is it?”

“Haboob is heading toward Albuquerque; bringing his usual chaos and destruction.”

“Oh no, really.”

“I should have known; I just got news that Raven is on his way there on a Greyhound bus!”

“He is! Why? I thought he was heading here for the Mustang?”

“I got a message that the Hudson Super Six had broken its crankshaft and he had boarded a Greyhound bus to Albuquerque where he was going to scrape some money together for a ticket.”

Jenny set her book type down on her lap. “You think Haboob is on to him?”

“If Raven has come out of hiding, tempted by my offer, I’m going to have to do something.”

“What kind of thing?”

“I’m not altogether sure, honey. I may have to get some help.”

“Help? From who?”

“There’s only one person can pit the evil of Haboob.”

Jenny’s voice rose an octave. “Oh my, you’re going to call on Maureen?”

Cyrano was already typing his answer.

Maureen, the Raven is in trouble, he just doesn’t know it yet. Haboob is on his trail. The last news I heard was that he’s on his way to Albuquerque on a Greyhound bus. You’re the only one can get to him in your 1948 Tucker Sedan. He’s on his way here to pick up the 1966 red Mustang GT. It was stupid of me to tempt him out of hiding. As soon as I hear more news I’ll fill you in. We need you NOW!

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#21769 - 02/07/12 04:48 PM Re: What about the senses of our characters? [Re: Cyrano]
lori32wf Offline
addict


Registered: 11/18/02
Posts: 465
Loc: Louisiana
I LOVE the humor between you too LOL. Ya'll keep me in stitches!

Something else you taught me was I needed to describe the scene around me using senses. I couldn't figure out how to do that. Another reason I went to poetry.

With poetry all you need are eyes. It's nice if you can throw in a couple more of the senses, but it mainly deals with visuals.

And since I can't do a paragraph I have to do a stanza instead LOL.

Now, when I say visuals I mean you have to tug on the heart strings of your readers. You have to put them into the poetry and make them feel a part of it. I continue to fail at this, but I've gotten much better.

And it's always good to throw in some humor every now and then ;-).


There's just one thing about it all.
Though he's mine in the night
he belongs to someone else.
The love we share can't be right.
But it's what we both desire.
Oh how I wish the clock would stop.
If it'd change anything I'd beg while kneeling.
But getting a negative answer would
ultimately hurt my grown ass feelings.
_________________________
I don't write my dreams or nightmares. I write my own reality.

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#21771 - 02/07/12 05:09 PM Re: What about the senses of our characters? [Re: lori32wf]
Cyrano Offline
Pooh-Bah


Registered: 12/17/01
Posts: 1733
Loc: San Francisco / Isle of Mull.
LORI! Whahoo, it's beginning to look like a reunion of the class from 2002!

Good to hear from you and even better to read your work. The thing I love is how I was not expecting the kick ass last line!

Great, stick around will ya.

Cyrano
_________________________
For me writing is a national park of underdone thoughts and ideas.

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#21781 - 02/07/12 08:17 PM Re: What about the senses of our characters? [Re: Cyrano]
lori32wf Offline
addict


Registered: 11/18/02
Posts: 465
Loc: Louisiana
LOL I think I will stick around ;-).

The kick ass line at the end is actually a private inside joke with a friend and I. Whenever he wants to tease me about hurting his feelings he says it hurts his grown ass feelings. I told him today that it would be a cute line to work into a poem and I came up with what I posted. So, as you can see, it's a work in progress :-P.
_________________________
I don't write my dreams or nightmares. I write my own reality.

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#21789 - 02/08/12 11:47 PM Re: What about the senses of our characters? [Re: Cyrano]
Ravenwood Offline
member


Registered: 11/11/08
Posts: 170
Cyrano! Mrs. R here again. Have you seen Raven? I received a message from a Jimmy Fast-as-Horse. Do you know Jimmy? Here is the gist of the tale:


Bound by Greyhound bus to Albuquerque, at Santa Rosa, the wait at the Greyhound station was to be thirty minutes, and Raven wouldn’t sit still that long – too anxious to drive the red Mustang Gt before you lend it back to the Museum. There was a competing carrier across the street, appearing to have old Greyhound buses from the fifties, remnants of the dog still on the sides. And remnants of painted–on ads for Camel cigarettes. And a shredded movie poster of Casa Blanca, Bogart sneering from beneath his hat.

Raven looked both ways before crossing. And both ways, mirages from the blistering sun had the pavement disappear into nothingness.

“Bus Seventeen will be leaving for Alba in three minutes,” answered the busty ticket agent to Raven's inquiry. Gold hair. Thick-voiced for a woman. Did she still sample some of those Camels?

“Be right back.” Raven sprinted for the Greyhound building for a refund, but they declined.

Back to Blondie, Raven stripped off his Rolex look-a-like and pendulumed it before her, questioning, good for the fare? She tore a ticket from a faded roll that hardly still blared Walcott vs Marciano m Municipal Stadium, Philadelphia. A ticket and a half, actually. Raven stared at the ticket, but Blondie just pulled at the neck of her blouse and waved air that was heavy with cigarette smoke inside the blouse. The bus engine hammered to rotating, and Raven turned to its open doorway.

Climbing aboard—literally—stepping around the rusted-through steps, Raven pocketed the full ticket (they bring hundreds on eBay) and gave the half-ticket to the driver. The driver took it with a grunt and dropped it into the spittoon at his feet. No one else entered, and Raven seated himself next to a window, the other three passengers paying no mind. The bus lurched backwards, and Raven’s head whipped to the side. Just in time to see Blondie’s blouse loosen and long, black, chest hair wave like fields of wheat when she—he—waved more air inside the bra.

Raven assessed his fellow travelers. Two of them may be locals: sombrero’s tilted forward as light snoring escaped the forms. The third was an alert-looking gentleman. Well groomed. Perhaps a mix of white and Spanish. He was busy with a device in his hands. I-Pod? Blackberry? Miniature PC? Raven didn’t know one from the other. Raven would try for a nap, himself.

Later—how much later, Raven didn’t know—he was awakened by the sensation of leaving good highway for something less. Why? Wasn’t Albuquerque straight on out I-40?

Raven posed the question to the others. The sombreros didn’t answer. One seemed to not understand, keeping his head ducked. The second grinned knowingly. The movie must be a repeat of one he had seen before. Just as Raven saw the 3 on the roadside marker, the well-groomed traveler stood at his side.

“May I?” the gentleman asked, waving to the seat adjacent.

“Er… yes.”

He seated himself. “Perhaps I can answer your question. To where did the ticket agent indicate this bus goes?”

“Alba. But I thought she… he… was saying Albuquerque in local speech.”

“I’m afraid not. Alba is a roadside filling station near one of the smaller reservations.” He paused at Raven's look of surprise. ”There are a number of reservations in New Mexico. Most of them Navajo. I am one-half Navajo. I have relatives who live on this one. I am visiting because I am near.”

He offered a hand, and Raven grasped it. “I’m Raven.”

The stranger nodded—almost a bow. “I am Jimmy Fast-as-Horse. But my white name is Jimmy Colt.” He made a pistol with his hand and finger, and his lips whispered a shushing, as blowing smoke away from the gun barrel.

“I gave the name to myself when I started to university,” he continued. He handed a card; he was in government service.

“We convened a meeting at Tucumcari—I was recording my notes when you boarded.” He looked to the lighted screen in his hand. “The Navajo-Churro sheep are centuries-long residents of the area, and they are most hardy. But some thought if we crossed a sample of them with out-of-country sheep, them too, hardy and adapted to arid places. Perhaps a super strain may result?”

“Sounds like science fiction,” Raven interjected.

Jimmy disagreed. “Anything but… we had the most experienced people from both ends at the symposium. From both countries.”

Sombrero number one ambled to the front. When the driver lifted his head as though questioning, number one drew something from his waistband and struck him. The driver slumped from the seat and number one took his place behind the wheel.

Jimmy Fast-as-horse was true to his name, but Sombrero number two intercepted him halfway, none-the-less. Intercepted him and hammered him to the floor, unconscious for now. Lacking Jimmy's courage and reflexes, Raven sat motionless like a dummy—probably looking the same.

Number two sat at the front of the bus and held a revolver pointed toward them.

The bus slowed and turned onto a trail more fit for donkey carts than anything newer. Tracks meandered between boulders of what looked like lava rock. Then straightened and began a slight descent. Where were they headed? And Why?

Raven dared a look to the front. The driver was looking into the mirror. Ye gads! Haboob! Raven hadn't seen that horror in years, but he knew why they were there. He was going to die!
Was there an emergency exit on back? If he exited, what then? He would be left to die of dehydration, and his death wouldn’t have their fingerprints. It didn’t matter. He was going… but there was no exit on back. Nothing out back except dust rolling lazily and settling like snow onto the back glass. It was almost impenetrable.

There was just enough vision to see a greater cloud coming. Coming fast. Haboob saw it too, but his effort to accelerate didn’t hold off the ‘50s era Reo Speed Wagon—not to be confused with the singing group.

The old farm truck, cattle sideboards jerking side-to-side like a beer being shaken to explode onto the face of an unsuspecting consumer, came up beside them. Jimmy Fast-as-horse—for some reason Raven couldn’t remember the white name—began to push up from the floor. He assessed the situation and, beckoning Raven to follow his lead, pulled himself almost erect in the careening behemoth by embracing a seatback.

Sombrero number two fired. And again. But the violent movement of the bus saved them for now. Jimmy pushed a side window further open and boosted Raven out. Out and onto the Reo’s sideboards. Raven climbed, like on a ladder, over the top and dropped to the truck’s floor. Jimmy dropped beside him.

The truck slowed and the bus tore on; Haboob didn’t know that the escapees and their rescuer were unarmed. The truck stopped, and a pleasant face showed above the boards. Errol Flynn-like handsome. Maybe from the planet Krypton.

Or did Raven just think that because of his too-close brush with death?

“Hello, Jimmy Fasy-as-Horse.” The man said, holding a hand to his shoulder as though in some discomfort.

“Hello, Herth,” answered Jimmy.

“Something didn’t look right when you left Tucumcari,” said the rescuer. “So I borrowed a taxi and tagged along. I was wanting an SUV or something, but those sideboards worked out pretty well, didn’t they?”

Raven sat motionless like a dummy—probably looking the same.

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